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Add the result to your basketSIU Thesis. The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project / Shan Zhao / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project Material Type: printed text Authors: Shan Zhao, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: xiv, 315 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-21
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art museums -- China -- Li Xiongcai
[LCSH]Museums -- Educational aspectsKeywords: Museum,
Art Museum,
University Museum,
University Art Museum,
Art Museums Collections Survey,
Collection In University Art Museums,
Research In University Art Museums,
Education In University Art, Museums,
Li Xiongcai (1910-2001),
Li Xiongcai Art Research ProjectAbstract: If a national museum represents the country's past and civilization, then a university art museum represents the University's heritage and aesthetic heights. The Lingnan Painting School Memorial Hall, as one of the museum groups of Guangzhou Academy of Fine Arts, was established in 1991. Different from other professional museums, the Lingnan Painting School Memorial Hall chose a different path and made contributions to the local art history. For many years, the hall has explored the collection, research, and teaching resources of the Lingnan Painting School. The most representative case is the "Li Xiongcai Art Research Project" that started in 2007.
In the era of the global art museum explosion, university art museums need to think about independent operating models. The research objectives of this thesis are to investigate the situation of university art museums in the relevant documents of the Chinese government, collect and analyze the operating systems' data of typical university art museums, and use the Li Xiongcai Art Research Project as a case to showcase the advantages of a university art museum's operating system.
The samples were selected using purposive sampling of non-probability sampling method. The instruments of this study were document research and textual analysis.
Population And Sample Scope: In the years 2010-2021, 124 documents were officially mentioned on the website of the Chinese government. Network data of 5 domestic university art museums in China in the years 2019-2021 were also collected. Data related to the Li Xiongcai Art Research Project, including the positioning of the Lingnan Painting School Memorial Hall, planning, process, and results of the Li Xiongcai art research project were collected for the years 2007-2012. Additionally, 7014 different theme data were screened and combined.
Results: Although the Chinese government provided economic support, defined concepts, guided collection and exhibition, and attempted to conduct quantitative statistics for university art museums, the complex situation made it difficult to accurately count the data of university art museums. Based on their long history, many university art museums in China had a higher number of collections than other art museums established later. The data showed that five university art galleries made efforts in various aspects of collection, research, and education. The successful model of the Li Xiongcai Art Research Project, which integrated collection, research, and education, could be replicated and had a long-lasting and widespread influence.
Conclusions and recommendations: Despite the efforts made by Chinese government departments to support various aspects of university art museums, university art museums should actively seek more government support. While university art museums have made continuous contributions to collection, research, and education for many years, their primary service is teaching, and they should lead public education alongside elite education. The operational model of Li Xiongcai's art research demonstrates the advantages of the Lingnan Painting School Memorial Hall. The university art museum should be able to produce more new knowledge based on the experience of the Li Xiongcai Art Research Project.Curricular : BALA/GE/MTEIL/PhDSCS Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28652 SIU Thesis. The 3-in-1 System in University Art Museum: Case Study of Li Xiongcai Art Research Project [printed text] / Shan Zhao, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xiv, 315 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-21
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art museums -- China -- Li Xiongcai
[LCSH]Museums -- Educational aspectsKeywords: Museum,
Art Museum,
University Museum,
University Art Museum,
Art Museums Collections Survey,
Collection In University Art Museums,
Research In University Art Museums,
Education In University Art, Museums,
Li Xiongcai (1910-2001),
Li Xiongcai Art Research ProjectAbstract: If a national museum represents the country's past and civilization, then a university art museum represents the University's heritage and aesthetic heights. The Lingnan Painting School Memorial Hall, as one of the museum groups of Guangzhou Academy of Fine Arts, was established in 1991. Different from other professional museums, the Lingnan Painting School Memorial Hall chose a different path and made contributions to the local art history. For many years, the hall has explored the collection, research, and teaching resources of the Lingnan Painting School. The most representative case is the "Li Xiongcai Art Research Project" that started in 2007.
In the era of the global art museum explosion, university art museums need to think about independent operating models. The research objectives of this thesis are to investigate the situation of university art museums in the relevant documents of the Chinese government, collect and analyze the operating systems' data of typical university art museums, and use the Li Xiongcai Art Research Project as a case to showcase the advantages of a university art museum's operating system.
The samples were selected using purposive sampling of non-probability sampling method. The instruments of this study were document research and textual analysis.
Population And Sample Scope: In the years 2010-2021, 124 documents were officially mentioned on the website of the Chinese government. Network data of 5 domestic university art museums in China in the years 2019-2021 were also collected. Data related to the Li Xiongcai Art Research Project, including the positioning of the Lingnan Painting School Memorial Hall, planning, process, and results of the Li Xiongcai art research project were collected for the years 2007-2012. Additionally, 7014 different theme data were screened and combined.
Results: Although the Chinese government provided economic support, defined concepts, guided collection and exhibition, and attempted to conduct quantitative statistics for university art museums, the complex situation made it difficult to accurately count the data of university art museums. Based on their long history, many university art museums in China had a higher number of collections than other art museums established later. The data showed that five university art galleries made efforts in various aspects of collection, research, and education. The successful model of the Li Xiongcai Art Research Project, which integrated collection, research, and education, could be replicated and had a long-lasting and widespread influence.
Conclusions and recommendations: Despite the efforts made by Chinese government departments to support various aspects of university art museums, university art museums should actively seek more government support. While university art museums have made continuous contributions to collection, research, and education for many years, their primary service is teaching, and they should lead public education alongside elite education. The operational model of Li Xiongcai's art research demonstrates the advantages of the Lingnan Painting School Memorial Hall. The university art museum should be able to produce more new knowledge based on the experience of the Li Xiongcai Art Research Project.Curricular : BALA/GE/MTEIL/PhDSCS Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28652 Hold
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Barcode Call number Media type Location Section Status 32002000607756 SIU THE: SOLA-PhD-SCS-2023-21 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607616 SIU THE: SOLA-PhD-SCS-2023-21 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. The Influence of Multicultural Background on the Cognitive Differences of Chinese Calligraphy / Yini Wu / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The Influence of Multicultural Background on the Cognitive Differences of Chinese Calligraphy Material Type: printed text Authors: Yini Wu, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: vi, 123 p. Layout: ill. Size: 30 cm. Price: 500.00 Baht General note: SIU THE: SOLA-PhD-SCS-2023-22
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Calligraphy -- Chinese
[LCSH]Multicultural education
[LCSH]MulticulturalismKeywords: Multicultural,
Chinese CalligraphyAbstract: The primary objective of a character is to communicate, so it must be recognizable so it will be effective. Using knowledge structures that affect therapeutic outcomes, this research aims to explore how Chinese calligraphy can be used for cross-cultural communication by presenting objects in different contexts. A study of calligraphy through an aesthetic process is the goal of the project. It has been demonstrated that calligraphic effects are significantly influenced by topological and gestalt properties of the writing content. In practice, users' perception, cognition, and neurophysiology have been observed to be influenced by Chinese characters' visual-spatial properties. By integrating sensory, bio-emotional, and cognitive feedback, Cybernetic Theory can generate dynamic graphics through a multi feedback-based behavior system that will provide the theoretical foundation for this study. Depending on the concepts, knowledge levels, and relationship with the person being evaluated, evaluation subjects produce different results. The factors that influence evaluation subjects are divided into two categories, the relationship between evaluation subjects and evaluation objects, or interest correlation; and the relationship between the evaluation subject and its evaluation content, or its structure of knowledge. When evaluating something, a person must establish psychological value judgment standards based on the way they understand the item. Through the analysis of equal symbols interpreted differently by Chinese cultures, this study explores cross-cultural communication via a variety of knowledge structures. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28653 SIU Thesis. The Influence of Multicultural Background on the Cognitive Differences of Chinese Calligraphy [printed text] / Yini Wu, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - vi, 123 p. : ill. ; 30 cm.
500.00 Baht
SIU THE: SOLA-PhD-SCS-2023-22
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Calligraphy -- Chinese
[LCSH]Multicultural education
[LCSH]MulticulturalismKeywords: Multicultural,
Chinese CalligraphyAbstract: The primary objective of a character is to communicate, so it must be recognizable so it will be effective. Using knowledge structures that affect therapeutic outcomes, this research aims to explore how Chinese calligraphy can be used for cross-cultural communication by presenting objects in different contexts. A study of calligraphy through an aesthetic process is the goal of the project. It has been demonstrated that calligraphic effects are significantly influenced by topological and gestalt properties of the writing content. In practice, users' perception, cognition, and neurophysiology have been observed to be influenced by Chinese characters' visual-spatial properties. By integrating sensory, bio-emotional, and cognitive feedback, Cybernetic Theory can generate dynamic graphics through a multi feedback-based behavior system that will provide the theoretical foundation for this study. Depending on the concepts, knowledge levels, and relationship with the person being evaluated, evaluation subjects produce different results. The factors that influence evaluation subjects are divided into two categories, the relationship between evaluation subjects and evaluation objects, or interest correlation; and the relationship between the evaluation subject and its evaluation content, or its structure of knowledge. When evaluating something, a person must establish psychological value judgment standards based on the way they understand the item. Through the analysis of equal symbols interpreted differently by Chinese cultures, this study explores cross-cultural communication via a variety of knowledge structures. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28653 Hold
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Barcode Call number Media type Location Section Status 32002000607720 SIU THE: SOLA-PhD-SCS-2023-22 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607744 SIU THE: SOLA-PhD-SCS-2023-22 c.1 SIU Thesis and Dissertation Main Library Thesis Corner Available SIU Thesis. The Development of Lacquer Art Creation Language in Contemporary China / Bangliang Yao / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The Development of Lacquer Art Creation Language in Contemporary China Material Type: printed text Authors: Bangliang Yao, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 112 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-25
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Arts and Crafts Movement
[LCSH]Lacquer and lacquering -- China
[LCSH]Language and languages
[LCSH]Semantics -- psychological aspectsKeywords: Contemporary Lacquer Art,
Creative Language,
Development Trend,
Traditional Arts and CraftsAbstract: This study takes "Research on the development of contemporary lacquer art creation language" as the topic, discusses the development trend and characteristics of contemporary lacquer art creation language, and uses the method of literature, interview and empirical research to conduct in-depth research. It is found that the development of contemporary lacquer art creation language presents the following characteristics: first, diversified, artists have made a variety of experimental attempts on the basis of traditional lacquer art techniques; The other is avant-garde. Some artists try to express their personal opinions and social problems through lacquer art. Third, it is transboundary. Some artists combine lacquer art with other media to present new visual effects and forms of expression.
Traditional arts and crafts play an important role in the contemporary lacquer art creation language, inheriting the traditional techniques and artistic styles of ancient lacquer ware making, and providing an important reference and inspiration for the contemporary lacquer art creation. The evaluation system of contemporary art can learn from the theories and methods of western modern art and examine the artistry and culture of contemporary lacquer art from a diversified perspective. In the future, the development trend of contemporary lacquer art creation language will continue to show the characteristics of diversification, avant-garde and trans-boundary, and will also pay more attention to the expression of artists' personalities and the embodiment of social significance.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28656 SIU Thesis. The Development of Lacquer Art Creation Language in Contemporary China [printed text] / Bangliang Yao, Author ; Ali Zahabi, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 112 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-25
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Arts and Crafts Movement
[LCSH]Lacquer and lacquering -- China
[LCSH]Language and languages
[LCSH]Semantics -- psychological aspectsKeywords: Contemporary Lacquer Art,
Creative Language,
Development Trend,
Traditional Arts and CraftsAbstract: This study takes "Research on the development of contemporary lacquer art creation language" as the topic, discusses the development trend and characteristics of contemporary lacquer art creation language, and uses the method of literature, interview and empirical research to conduct in-depth research. It is found that the development of contemporary lacquer art creation language presents the following characteristics: first, diversified, artists have made a variety of experimental attempts on the basis of traditional lacquer art techniques; The other is avant-garde. Some artists try to express their personal opinions and social problems through lacquer art. Third, it is transboundary. Some artists combine lacquer art with other media to present new visual effects and forms of expression.
Traditional arts and crafts play an important role in the contemporary lacquer art creation language, inheriting the traditional techniques and artistic styles of ancient lacquer ware making, and providing an important reference and inspiration for the contemporary lacquer art creation. The evaluation system of contemporary art can learn from the theories and methods of western modern art and examine the artistry and culture of contemporary lacquer art from a diversified perspective. In the future, the development trend of contemporary lacquer art creation language will continue to show the characteristics of diversification, avant-garde and trans-boundary, and will also pay more attention to the expression of artists' personalities and the embodiment of social significance.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28656 Hold
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Barcode Call number Media type Location Section Status 32002000607703 SIU THE: SOLA-PhD-SCS-2023-25 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607719 SIU THE: SOLA-PhD-SCS-2023-25 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Analysis of the Artistic Style of Modern Guangdong Female Calligraphers / Yang Muzhen / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Analysis of the Artistic Style of Modern Guangdong Female Calligraphers Material Type: printed text Authors: Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 300 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 SIU Thesis. Analysis of the Artistic Style of Modern Guangdong Female Calligraphers [printed text] / Yang Muzhen, Author ; Thawascha Dechsubha, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 300 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-32
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Artistic -- Guangdong
[LCSH]Calligraphy -- Chinese
[LCSH]comparison
[LCSH]Painting, ChineseKeywords: calligraphy comparison,
Chinese painting comparison,
artistic style,
talent,
independence and free thought,
communication and progressAbstract: The purposes of this study are to (1) investigate the artistic style characteristics of modern Guangdong female calligraphers, (2) compare the similarities and differences of the Chinese females calligraphers, and (3) analyze the causes of their artistic characteristics from the perspectives of female calligraphers characteristics in modern Guangdong..This study adopts a qualitative design. Data were collected through books, museums, field trips and the Internet, and the data were relatively analyzed and studied. This study covers 12 Guangdong female calligraphers recorded in modern Chinese history.The research results showed that, on the surface, the painting and calligraphy art style of these female calligraphers belongs to the beautiful category, and when we carefully observe them, their inner spirit is different. Feng Wenfeng, Tan Rong, Zhang Kunyi and so on are mainly the beauty of masculinity, Xian Yuqing, Zheng indifferent, Wu Peirong and others are mainly the beauty of feminine. He Xiangning, Xiao Shufang, Kang Tongbi, Deng Mengxiang, Guan Zilan, Feng Zhonglian and so on are both rigid and soft. The personality charm of female calligraphers is the most important factor for their artistic style; the second background is the second factor for female calligraphers; the family support has a significant influence on their artistic style, and the influence on their artistic style. The results show that the modern female calligrapher successful primary factor is talent, free thought and independent personality, followed by continuous positive and effective action. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28655 Hold
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Barcode Call number Media type Location Section Status 32002000607747 SIU THE: SOLA-PhD-SCS-2023-32 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607709 SIU THE: SOLA-PhD-SCS-2023-32 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Exploring Su Liupeng's Figure Painting / Yucan Liang / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Exploring Su Liupeng's Figure Painting Material Type: printed text Authors: Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 178 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-29
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art -- China -- Guangdong
[LCSH]comparison
[LCSH]Figure painting
[LCSH]SemioticsKeywords: Figure Painting,
Su LiupengAbstract: The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657 SIU Thesis. Exploring Su Liupeng's Figure Painting [printed text] / Yucan Liang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 178 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-SCS-2023-29
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art -- China -- Guangdong
[LCSH]comparison
[LCSH]Figure painting
[LCSH]SemioticsKeywords: Figure Painting,
Su LiupengAbstract: The purpose of this paper is to study the metaphor of Su Liupeng and Qing Dynasty figure painting in subject matter, composition and ink. Using the methods of iconography, style analysis, comparison and semiotics, the research results are found as follows: 1. Compared with other subjects of painting, figure painting can more directly present the theme and metaphorical information of various levels in the era. Su Liupeng's genre painting has a certain suggestive nature, that is, the use of the style of the work metaphor. 2. In Su Liupeng's figure paintings, there is also an obvious inheritance of Central Plains painting. Therefore, it can be speculated that before the middle and late Qing Dynasty, the traditional figure painting tradition of Guangdong and the Central Plains are in line with each other. The traditional figure painting of the central plains is still prevalent in the Ming and Qing dynasties, which also reflects the reclusive thought of the Cantonese literati and the traditional literati plot of the ban on. 3. Su Liupeng was an outstanding painter in Guangdong during the Jiadao Period. His works have a strong local flavor and represent the cultural symbol of an era in Guangdong. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28657 Hold
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Barcode Call number Media type Location Section Status 32002000607702 SIU THE: SOLA-PhD-SCS-2023-29 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607685 SIU THE: SOLA-PhD-SCS-2023-29 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. The Three-Level Interactions of China Standard of English Language Ability to Its Environment from Ecosemiotics / Wei Tian / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The Three-Level Interactions of China Standard of English Language Ability to Its Environment from Ecosemiotics Material Type: printed text Authors: Wei Tian, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: ix, 170 p. Layout: Tables, ill Size: 30 cm. Price: 1000,00 General note: SIU THE: SOLA-PhD-SCS-2023-27
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]English language -- Study and teaching -- China
[LCSH]Language and languages
[LCSH]SemioticsKeywords: China’s Standards of English Language Ability,
Interaction,
Ecosemiotics,
Micro level,
Meso level,
Macro levelAbstract: This research takes China’s Standards of English Language Ability (the CSE) as a subject of its eco-system and explored its interaction with factors in its umwelt (environment) from perspective of eco-semiotics on three levels, which takes the faucets in the umwelt of the CSE as orderly arranged from micro scope (the CSE itself, the researchers, the teachers, the learners and the translators and interpreters), meso scope (schools, social communities, training agencies, employers and language services) and macro scope (local government, state government and even the world).
By using methods of corpus-based analysis, literature review and semi-structured interview, the CSE 86 scales are analyzed to find what are concerned while CSE is used in evaluating learners’ language ability by observing 11 key nouns used to define language proficiency; literatures are categorized into application and development by years to analyze and semi-structured interviews are done and transcripts are coded and analyzed to support the analysis. The interaction the CSE made to elements at three levels in its environment is analyzed and found that the CSE tried to evaluate learners’ English proficiency from some keywords like ‘information’, ‘topics’, ‘sentences’; the CSE gained well interaction at micro level; the CSE didn’t get enough attention at meso level; and the CSE gained much attention from state government and world but not much attention from local government. In order to gain further development, the CSE should be developed and applied at every level.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28658 SIU Thesis. The Three-Level Interactions of China Standard of English Language Ability to Its Environment from Ecosemiotics [printed text] / Wei Tian, Author ; Parichart Kluensuwan, Associated Name ; Thawascha Dechsubha, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - ix, 170 p. : Tables, ill ; 30 cm.
1000,00
SIU THE: SOLA-PhD-SCS-2023-27
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]English language -- Study and teaching -- China
[LCSH]Language and languages
[LCSH]SemioticsKeywords: China’s Standards of English Language Ability,
Interaction,
Ecosemiotics,
Micro level,
Meso level,
Macro levelAbstract: This research takes China’s Standards of English Language Ability (the CSE) as a subject of its eco-system and explored its interaction with factors in its umwelt (environment) from perspective of eco-semiotics on three levels, which takes the faucets in the umwelt of the CSE as orderly arranged from micro scope (the CSE itself, the researchers, the teachers, the learners and the translators and interpreters), meso scope (schools, social communities, training agencies, employers and language services) and macro scope (local government, state government and even the world).
By using methods of corpus-based analysis, literature review and semi-structured interview, the CSE 86 scales are analyzed to find what are concerned while CSE is used in evaluating learners’ language ability by observing 11 key nouns used to define language proficiency; literatures are categorized into application and development by years to analyze and semi-structured interviews are done and transcripts are coded and analyzed to support the analysis. The interaction the CSE made to elements at three levels in its environment is analyzed and found that the CSE tried to evaluate learners’ English proficiency from some keywords like ‘information’, ‘topics’, ‘sentences’; the CSE gained well interaction at micro level; the CSE didn’t get enough attention at meso level; and the CSE gained much attention from state government and world but not much attention from local government. In order to gain further development, the CSE should be developed and applied at every level.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28658 Hold
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Barcode Call number Media type Location Section Status 32002000607693 SIU THE: SOLA-PhD-SCS-2023-27 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607701 SIU THE: SOLA-PhD-SCS-2023-27 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Exploring Chinese Painting under the thought of Unity of Nature and Man / Jing Wang / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Exploring Chinese Painting under the thought of Unity of Nature and Man Material Type: printed text Authors: Jing Wang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: x, 206 p. Layout: ill. Size: 30 cm. Price: 1000,00 Baht. General note: SIU THE: SOLA-PhD-SCS-2023-31
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Painting, Chinese
[LCSH]Philosophy, ChineseKeywords: Chinese painting,
Chinese Philosophy,
Harmony between Nature and ManAbstract: The gorgeous flower, Chinese painting study, is fostered by Chinese philosophy cultural soil. It also becomes an irresistible surge of life stream supported by Chinese philosophy spirit. As an important part of Chinese traditional culture, Chinese painting study and philosophy spirit are in complete harmony, with the same spiritual connotation and essential pursuit. Their developments, theoretical characters as well as their ideology presentation are quite consistent. Under the influence of Chinese philosophy ideas, Chinese painting study shows us an interesting picture scroll with vast and numerous masterpieces, subtle illustration, as well as infinite and deep meaning. Different from western painting in theoretic system and character, Chinese painting study has its unique style and high aesthetic and cultural values.
This article chooses Chinese painting study as its research object. From the view point of Chinese philosophy rather than the limited artistic disciplines, Chinese painting study’s artistic spirit, essential characteristics and the way to present the philosophy are analyzed. This article provides certain theoretic and practical meanings for protection, innovation and development of Chinese painting. The internal relationship between Chinese painting study and philosophy is described in the following steps:
In the first chapter, the introduction mainly expounds the research significance, research ideas and research methods of Chinese painting under the thought of the unity of nature and man, and summarizes the research framework and innovation points of this paper, as well as the overall summary of this subject. "Harmony between nature and man" is the basic spirit of Chinese philosophy, and also an important basis for the stable and orderly development of traditional Chinese society. Its essence is the harmony between man and nature. Since ancient times, China has advocated harmony between man and nature and pursued the realm of harmony between man and nature. "Unity of nature and man" is a basic belief in ancient Chinese thought history, and is also the most significant difference between Chinese philosophy and Western philosophy.In this paper, on the basis of summarizing the previous research results, mainly through the analysis and arrangement of traditional Chinese painting and contemporary landscape painting, based on the theory of fine arts, using a systematic and objective method to grasp the concept of "unity of nature and man" from the three aspects of philosophy, aesthetics and painting, the concept of "unity of nature and man" in the painting to investigate and analyze, on this basis to collect detailed information. On the basis of existing research combined with specific ancient and contemporary landscape painting works to study, analysis of the concept of "harmony between nature and man" in the artistic presentation of Chinese painting.
The second chapter is seeing from the development and evolution of Chinese philosophy and Chinese painting and basic characteristics.The relationship between Chinese philosophy and Chinses painting is close.Chinese philosophy and Chinese painting does not only "go hand in hand".Chinese philosophy constitutes the inner life and soul of Chinese painting. The development of Chinese philosophy went through several stages, such as the study of different schools of thought in pre-Qin Dynasty, the study of classics in Qin and Han Dynasties, metaphysics in Wei and Jin Dynasties, Buddhism in Sui and Tang Dynasties, theory in Song and Ming Dynasties, and simple studies in Qing Dynasty. In the process of development, the three philosophies of Confucianism, Taoism and Buddhism conflict with each other and integrate with each other in the process of development, which together constitute the main body of the development of Chinese philosophy and become the philosophical background of the development of Chinese painting.Chinese philosophy aims at pursuing the unity of nature and man, and pays attention to the mutual sense and overall harmony between heaven, man, things and myself. With the philosophy of life as the core, it pays attention to human life spirit and all kinds of life meteorology. With the overall intuition and spiritual understanding as the method, it takes how to be a man and achieve the personality of sages and improve the realm of life as the ultimate pursuit, which constitutes the characteristics of Chinese philosophy. It has also become the root of the different characteristics of Chinese painting and Western painting.In accordance with Chinese philosophy, Chinese painting has experienced different periods of development. In the pre-Qin period, painting ideas of certain value appeared. When it came down to the Six Dynasties, Gu Kaizhi's theory of Form and spirit and the theory of the Six Methods of Xie He appeared. It has formed an unique theoretical character of Chinese painting and a theoretical system completely different from that of Western painting. It has become an artistic style with deep national characteristics and spirit. It has the characteristics of "painting of the mind" and "painting of the soul". Showing rich aesthetic implication and lofty pursuit of life, it presents a unique development in the history of world painting.
The third chapter mainly discusses the influence of the life view and way of thinking of the unity of nature and man on the aesthetic direction, aesthetic theme and aesthetic sentiment of Chinese painting. The unity of nature and man is the fundamental spirit of Chinese philosophy and the philosophical cornerstone of Chinese art. The unity of nature and man aims to improve the spiritual realm and realize the unity of man and man, man and society, man and nature, which is also the ultimate life pursuit of man. The two major schools of ancient Chinese philosophy, Confucianism and Taoism, both take life and the creation of life as their fundamental concepts. The modes of the unity of nature and man constructed are the modes of life and embody the rich spirit of life.It is the basic philosophical thought and unique way of thinking of the Chinese nation of the unity of nature and man that creates the unique aesthetic realm of Chinese painting, constitutes the deep core of Chinese painting, and forms the view of life of the unity of nature and man in Chinese painting. It takes the unity of nature and man as the aesthetic direction, takes the vivid charm as the aesthetic theme, and takes the unity of knowing and doing as the aesthetic sentiment. Under the influence of the thought of the unity of nature and man, Chinese painting has become a deep learning to the spirit of human life, strong life consciousness and lofty realm of life constitute the inherent characteristics and ultimate pursuit of Chinese painting.
The fourth chapter mainly discusses the ecological aesthetic wisdom of "metaphorical virtue" and "joyful expression" in the functional theory of Chinese painting. Different from the western theory of imitation which emphasizes the cognitive function of art, "metaphorical virtue" and "joyful expression" embody the pursuit of poetic dwelling in Chinese painting theory. Metaphorical virtue is an aesthetic category based on the Confucian thought of "unity of nature and man", which reflects the closeness of human to natural virtue and the resulting sense of affinity and pleasure. In Chinese painting theory, not only landscape, plum, orchid, bamboo and chrysanthemum can be metaphorical virtue, other flowers and birds can also be metaphorical virtue. Nature is full of virtue existence, are people close to the object. The metaphorical virtue view arouses people's love for nature, and people gain moral satisfaction and transcendence of life in the contact with nature.The theory of joyful expression was first put forward by Zong Bing, and its philosophical basis is the Taoist idea of "unity of nature and man". The theory of joyful expression focuses on the real survival of human beings. Joyful expression regards nature as the home of life and longs to be integrated with nature in the intuitive view of landscape and get the shelter of nature.Joyful expression Theory also leads people to nature, but not the nature full of Confucian virtues, but the nature reflecting the way of nature. Although metaphorical virtue and joyful expression differ greatly in philosophical basis and specific connotation, they both regard nature as a living being with an internal relationship with me, and thus obtain from nature a sense of affinity, a sense of home, as well as the poetry of life.
The fifth chapter mainly studies the ecological aesthetic wisdom of "Artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" in the creation of Chinese painting. The aesthetic creation principle of "artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" put forward by the Tang Dynasty painting theorist Zhang Bo is based on the ecological wisdom of "the unity of nature and man" in China. In Chinese culture, the universe is a natural life process, and artistic activities as human creation are no exception. They should also follow the natural path of life. "Artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" requires artists to learn from nature, let artworks flow from the source of the heart, and create artworks like natural creatures.Different from the western "mirror theory" and "expression theory", "artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" reflects the innermost emotional relationship between man and nature. In the process of artistic creation, artists hold the attitude of equality and affinity, to swim in nature, to face nature in the true realm, and finally to integrate with nature. Artistic creation is the process of artists returning to nature. It is in the artistic creation of "unity of nature and man" that the artist finds the road to return to his hometown, returns to the living realm of free play, and obtains spiritual freedom and liberation. The artist is not so much for artistic creation as for his desire and pursuit of his origin.
The sixth chapter mainly analyzes the embodiment of the unity of nature and man in Chinese painting. The thought of the unity of nature and man in Chinese philosophy has exerted a profound influence on Chinese painting. It constitutes the deep core of Chinese painting, profoundly influences the aesthetic value orientation and artistic expression of Chinese painting, and forms the artistic spirit of the unity of nature and man, the theme of life with vivid charm, the aesthetic sentiment of the unity of knowledge and practice, and presents a lively and free life atmosphere. The aesthetic realm of man and heaven has thus become the soul of Chinese painting. On this basis, modern Chinese painting is also facing the challenge of reform and innovation. In order to better inherit and adapt to the changes of the new era, people began to appear ideological differences. One is to advertise the banner of innovation and think that tradition is the biggest obstacle to the innovation and development of Chinese painting. The second is to "move in the opposite direction", further stimulate the impetus of innovation on the basis of inheriting traditional culture, absorb the essence of western art, integrate with Chinese traditional culture, and use new artistic forms to express the unique aesthetic feeling of eastern art.
The seventh chapter concludes the inheritance and development of Chinese painting under the thought of the unity of nature and man. The two philosophical concepts of "unity of nature and man" and "separation of nature and man" are respectively the core and soul of Chinese culture and Western culture, and their differences are also the root of all the differences between Chinese and Western cultures. Because of the difference of these two philosophical ideas, Chinese and Western paintings also have great differences in artistic expression forms. Western painting has its own characteristics, and modern western painters get inspiration from Oriental painting, Western painters realize in the creation of the painting, in fact, is the "unity of nature and man" expressed in traditional Chinese painting. With the development and progress of culture, great changes have taken place in the national psychology of contemporary Chinese painting, and the attitude towards the integration of Chinese and Western painting has become positive, inclusive and confident. The differences between Chinese and Western culture are gradually narrowing, and the attitude of Chinese painters to accept Western culture and art tends to be stable and calm. In the colorful art world, we must respect the traditional national culture and keep the national character of art, so that art can have its own unique value. Only the works that treat the national traditional culture correctly and carry forward the aesthetic value and time value of the traditional culture are excellent Chinese painting works.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28659 SIU Thesis. Exploring Chinese Painting under the thought of Unity of Nature and Man [printed text] / Jing Wang, Author ; Imelda Hermillinda Abas, Associated Name ; Dhirawit Pinyonatthagarn, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - x, 206 p. : ill. ; 30 cm.
1000,00 Baht.
SIU THE: SOLA-PhD-SCS-2023-31
Thesis. [PhD.[Philosophy in Semiotics and Cultural Studies]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Painting, Chinese
[LCSH]Philosophy, ChineseKeywords: Chinese painting,
Chinese Philosophy,
Harmony between Nature and ManAbstract: The gorgeous flower, Chinese painting study, is fostered by Chinese philosophy cultural soil. It also becomes an irresistible surge of life stream supported by Chinese philosophy spirit. As an important part of Chinese traditional culture, Chinese painting study and philosophy spirit are in complete harmony, with the same spiritual connotation and essential pursuit. Their developments, theoretical characters as well as their ideology presentation are quite consistent. Under the influence of Chinese philosophy ideas, Chinese painting study shows us an interesting picture scroll with vast and numerous masterpieces, subtle illustration, as well as infinite and deep meaning. Different from western painting in theoretic system and character, Chinese painting study has its unique style and high aesthetic and cultural values.
This article chooses Chinese painting study as its research object. From the view point of Chinese philosophy rather than the limited artistic disciplines, Chinese painting study’s artistic spirit, essential characteristics and the way to present the philosophy are analyzed. This article provides certain theoretic and practical meanings for protection, innovation and development of Chinese painting. The internal relationship between Chinese painting study and philosophy is described in the following steps:
In the first chapter, the introduction mainly expounds the research significance, research ideas and research methods of Chinese painting under the thought of the unity of nature and man, and summarizes the research framework and innovation points of this paper, as well as the overall summary of this subject. "Harmony between nature and man" is the basic spirit of Chinese philosophy, and also an important basis for the stable and orderly development of traditional Chinese society. Its essence is the harmony between man and nature. Since ancient times, China has advocated harmony between man and nature and pursued the realm of harmony between man and nature. "Unity of nature and man" is a basic belief in ancient Chinese thought history, and is also the most significant difference between Chinese philosophy and Western philosophy.In this paper, on the basis of summarizing the previous research results, mainly through the analysis and arrangement of traditional Chinese painting and contemporary landscape painting, based on the theory of fine arts, using a systematic and objective method to grasp the concept of "unity of nature and man" from the three aspects of philosophy, aesthetics and painting, the concept of "unity of nature and man" in the painting to investigate and analyze, on this basis to collect detailed information. On the basis of existing research combined with specific ancient and contemporary landscape painting works to study, analysis of the concept of "harmony between nature and man" in the artistic presentation of Chinese painting.
The second chapter is seeing from the development and evolution of Chinese philosophy and Chinese painting and basic characteristics.The relationship between Chinese philosophy and Chinses painting is close.Chinese philosophy and Chinese painting does not only "go hand in hand".Chinese philosophy constitutes the inner life and soul of Chinese painting. The development of Chinese philosophy went through several stages, such as the study of different schools of thought in pre-Qin Dynasty, the study of classics in Qin and Han Dynasties, metaphysics in Wei and Jin Dynasties, Buddhism in Sui and Tang Dynasties, theory in Song and Ming Dynasties, and simple studies in Qing Dynasty. In the process of development, the three philosophies of Confucianism, Taoism and Buddhism conflict with each other and integrate with each other in the process of development, which together constitute the main body of the development of Chinese philosophy and become the philosophical background of the development of Chinese painting.Chinese philosophy aims at pursuing the unity of nature and man, and pays attention to the mutual sense and overall harmony between heaven, man, things and myself. With the philosophy of life as the core, it pays attention to human life spirit and all kinds of life meteorology. With the overall intuition and spiritual understanding as the method, it takes how to be a man and achieve the personality of sages and improve the realm of life as the ultimate pursuit, which constitutes the characteristics of Chinese philosophy. It has also become the root of the different characteristics of Chinese painting and Western painting.In accordance with Chinese philosophy, Chinese painting has experienced different periods of development. In the pre-Qin period, painting ideas of certain value appeared. When it came down to the Six Dynasties, Gu Kaizhi's theory of Form and spirit and the theory of the Six Methods of Xie He appeared. It has formed an unique theoretical character of Chinese painting and a theoretical system completely different from that of Western painting. It has become an artistic style with deep national characteristics and spirit. It has the characteristics of "painting of the mind" and "painting of the soul". Showing rich aesthetic implication and lofty pursuit of life, it presents a unique development in the history of world painting.
The third chapter mainly discusses the influence of the life view and way of thinking of the unity of nature and man on the aesthetic direction, aesthetic theme and aesthetic sentiment of Chinese painting. The unity of nature and man is the fundamental spirit of Chinese philosophy and the philosophical cornerstone of Chinese art. The unity of nature and man aims to improve the spiritual realm and realize the unity of man and man, man and society, man and nature, which is also the ultimate life pursuit of man. The two major schools of ancient Chinese philosophy, Confucianism and Taoism, both take life and the creation of life as their fundamental concepts. The modes of the unity of nature and man constructed are the modes of life and embody the rich spirit of life.It is the basic philosophical thought and unique way of thinking of the Chinese nation of the unity of nature and man that creates the unique aesthetic realm of Chinese painting, constitutes the deep core of Chinese painting, and forms the view of life of the unity of nature and man in Chinese painting. It takes the unity of nature and man as the aesthetic direction, takes the vivid charm as the aesthetic theme, and takes the unity of knowing and doing as the aesthetic sentiment. Under the influence of the thought of the unity of nature and man, Chinese painting has become a deep learning to the spirit of human life, strong life consciousness and lofty realm of life constitute the inherent characteristics and ultimate pursuit of Chinese painting.
The fourth chapter mainly discusses the ecological aesthetic wisdom of "metaphorical virtue" and "joyful expression" in the functional theory of Chinese painting. Different from the western theory of imitation which emphasizes the cognitive function of art, "metaphorical virtue" and "joyful expression" embody the pursuit of poetic dwelling in Chinese painting theory. Metaphorical virtue is an aesthetic category based on the Confucian thought of "unity of nature and man", which reflects the closeness of human to natural virtue and the resulting sense of affinity and pleasure. In Chinese painting theory, not only landscape, plum, orchid, bamboo and chrysanthemum can be metaphorical virtue, other flowers and birds can also be metaphorical virtue. Nature is full of virtue existence, are people close to the object. The metaphorical virtue view arouses people's love for nature, and people gain moral satisfaction and transcendence of life in the contact with nature.The theory of joyful expression was first put forward by Zong Bing, and its philosophical basis is the Taoist idea of "unity of nature and man". The theory of joyful expression focuses on the real survival of human beings. Joyful expression regards nature as the home of life and longs to be integrated with nature in the intuitive view of landscape and get the shelter of nature.Joyful expression Theory also leads people to nature, but not the nature full of Confucian virtues, but the nature reflecting the way of nature. Although metaphorical virtue and joyful expression differ greatly in philosophical basis and specific connotation, they both regard nature as a living being with an internal relationship with me, and thus obtain from nature a sense of affinity, a sense of home, as well as the poetry of life.
The fifth chapter mainly studies the ecological aesthetic wisdom of "Artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" in the creation of Chinese painting. The aesthetic creation principle of "artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" put forward by the Tang Dynasty painting theorist Zhang Bo is based on the ecological wisdom of "the unity of nature and man" in China. In Chinese culture, the universe is a natural life process, and artistic activities as human creation are no exception. They should also follow the natural path of life. "Artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" requires artists to learn from nature, let artworks flow from the source of the heart, and create artworks like natural creatures.Different from the western "mirror theory" and "expression theory", "artistic creation comes from nature,and the beauty of nature comes from artists’ feeling and thoughts" reflects the innermost emotional relationship between man and nature. In the process of artistic creation, artists hold the attitude of equality and affinity, to swim in nature, to face nature in the true realm, and finally to integrate with nature. Artistic creation is the process of artists returning to nature. It is in the artistic creation of "unity of nature and man" that the artist finds the road to return to his hometown, returns to the living realm of free play, and obtains spiritual freedom and liberation. The artist is not so much for artistic creation as for his desire and pursuit of his origin.
The sixth chapter mainly analyzes the embodiment of the unity of nature and man in Chinese painting. The thought of the unity of nature and man in Chinese philosophy has exerted a profound influence on Chinese painting. It constitutes the deep core of Chinese painting, profoundly influences the aesthetic value orientation and artistic expression of Chinese painting, and forms the artistic spirit of the unity of nature and man, the theme of life with vivid charm, the aesthetic sentiment of the unity of knowledge and practice, and presents a lively and free life atmosphere. The aesthetic realm of man and heaven has thus become the soul of Chinese painting. On this basis, modern Chinese painting is also facing the challenge of reform and innovation. In order to better inherit and adapt to the changes of the new era, people began to appear ideological differences. One is to advertise the banner of innovation and think that tradition is the biggest obstacle to the innovation and development of Chinese painting. The second is to "move in the opposite direction", further stimulate the impetus of innovation on the basis of inheriting traditional culture, absorb the essence of western art, integrate with Chinese traditional culture, and use new artistic forms to express the unique aesthetic feeling of eastern art.
The seventh chapter concludes the inheritance and development of Chinese painting under the thought of the unity of nature and man. The two philosophical concepts of "unity of nature and man" and "separation of nature and man" are respectively the core and soul of Chinese culture and Western culture, and their differences are also the root of all the differences between Chinese and Western cultures. Because of the difference of these two philosophical ideas, Chinese and Western paintings also have great differences in artistic expression forms. Western painting has its own characteristics, and modern western painters get inspiration from Oriental painting, Western painters realize in the creation of the painting, in fact, is the "unity of nature and man" expressed in traditional Chinese painting. With the development and progress of culture, great changes have taken place in the national psychology of contemporary Chinese painting, and the attitude towards the integration of Chinese and Western painting has become positive, inclusive and confident. The differences between Chinese and Western culture are gradually narrowing, and the attitude of Chinese painters to accept Western culture and art tends to be stable and calm. In the colorful art world, we must respect the traditional national culture and keep the national character of art, so that art can have its own unique value. Only the works that treat the national traditional culture correctly and carry forward the aesthetic value and time value of the traditional culture are excellent Chinese painting works.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28659 Hold
Place a hold on this item
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Barcode Call number Media type Location Section Status 32002000607523 SIU THE: SOLA-PhD-SCS-2023-31 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607695 SIU THE: SOLA-PhD-SCS-2023-31 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Visual Perception of Cultural Landscape in Historic Districts: The Case of Yongqingfang in Guangzhou / Xiangwei Zhong / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Visual Perception of Cultural Landscape in Historic Districts: The Case of Yongqingfang in Guangzhou Material Type: printed text Authors: Xiangwei Zhong, Author ; Sakon Phu-ngamdee, Associated Name ; Kovit Kantasiri, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: xi, 206 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-47
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art
[LCSH]Cultural awareness
[LCSH]Culture
[LCSH]Historic districts -- China -- Guangzhou -- Yongqingfang
[LCSH]Visual perceptionKeywords: Historic districts, Yongqingfang, Landscape, Cultural landscape, Cultural tourism, Visual perception, Landscape preferences, Perception quality, Emotional experience, Wandering path Abstract: Based on theories such as Gestalt Psychology, Art and Visual Perception, Landscape preference theory and Wandering Path, this study investigates the cultural visual perceptual experience of Yongqingfang Historic District, this study provides a different perspective to the study of the renovation design of historic districts, and provides a set of effective methods for the evaluation of the visual perception of the cultural landscape of historic districts. In this study, the Concurrent Triangulation Mixture method was used to collect and analyze the data,include provides a qualitative analysis of tourist online texts and a quantitative analysis using a set of ambient spatial photos from a specific viewpoint of the district. Moreover, the results of the two studies were combined to obtain uniform results. It attempts to answer the question of what are the visual elements that affect the quality of tourists' perception of the cultural landscape of the Yongqingfang Historic District, how the proportion of visual elements of the cultural landscape in the historic districts affects the tourist's visual perception, and how the extent to which the tourist's perception changes during a walk through the historic district affects the tourist's perceptual experience. Finally, through a discussion of the aforementioned research questions, the paper summarizes the effective ways to improve the visual perception quality and assessment of the cultural landscape of historic districts by tourists and suggests some suggestions.
The results show that based on the screening of visual elements of cultural landscapes in historic districts, including material and immaterial culture, and controlling the proportion of cultural visual elements in the landscape at 50% and below, it is conducive to improving the quality of tourists' perception of cultural landscapes. The perceptual changes of multiple landscape nodes along the wandering path in the historic district, such as having a larger span of positive and negative deviation means,
a higher frequency of positive or negative deviation transitions of visual perception values, and a higher frequency of high or low transitions of visual perception values, can bring tourists a richer and more exciting emotional experience of visual perception. The research methods, results and conclusions adopted in this study can provide reference for the renewal design of historic districts and help designers to better grasp the 'figure-ground relationship' between historical and cultural elements and additional elements, which can be achieved by controlling the mean value, deviation value and perceptual rhythm of cultural visual perception in order to achieve a balance, so that the historic and cultural elements of the neighborhood are more easily viewed, recognized
and remembered by tourists.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28660 SIU Thesis. Visual Perception of Cultural Landscape in Historic Districts: The Case of Yongqingfang in Guangzhou [printed text] / Xiangwei Zhong, Author ; Sakon Phu-ngamdee, Associated Name ; Kovit Kantasiri, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - xi, 206 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-47
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art
[LCSH]Cultural awareness
[LCSH]Culture
[LCSH]Historic districts -- China -- Guangzhou -- Yongqingfang
[LCSH]Visual perceptionKeywords: Historic districts, Yongqingfang, Landscape, Cultural landscape, Cultural tourism, Visual perception, Landscape preferences, Perception quality, Emotional experience, Wandering path Abstract: Based on theories such as Gestalt Psychology, Art and Visual Perception, Landscape preference theory and Wandering Path, this study investigates the cultural visual perceptual experience of Yongqingfang Historic District, this study provides a different perspective to the study of the renovation design of historic districts, and provides a set of effective methods for the evaluation of the visual perception of the cultural landscape of historic districts. In this study, the Concurrent Triangulation Mixture method was used to collect and analyze the data,include provides a qualitative analysis of tourist online texts and a quantitative analysis using a set of ambient spatial photos from a specific viewpoint of the district. Moreover, the results of the two studies were combined to obtain uniform results. It attempts to answer the question of what are the visual elements that affect the quality of tourists' perception of the cultural landscape of the Yongqingfang Historic District, how the proportion of visual elements of the cultural landscape in the historic districts affects the tourist's visual perception, and how the extent to which the tourist's perception changes during a walk through the historic district affects the tourist's perceptual experience. Finally, through a discussion of the aforementioned research questions, the paper summarizes the effective ways to improve the visual perception quality and assessment of the cultural landscape of historic districts by tourists and suggests some suggestions.
The results show that based on the screening of visual elements of cultural landscapes in historic districts, including material and immaterial culture, and controlling the proportion of cultural visual elements in the landscape at 50% and below, it is conducive to improving the quality of tourists' perception of cultural landscapes. The perceptual changes of multiple landscape nodes along the wandering path in the historic district, such as having a larger span of positive and negative deviation means,
a higher frequency of positive or negative deviation transitions of visual perception values, and a higher frequency of high or low transitions of visual perception values, can bring tourists a richer and more exciting emotional experience of visual perception. The research methods, results and conclusions adopted in this study can provide reference for the renewal design of historic districts and help designers to better grasp the 'figure-ground relationship' between historical and cultural elements and additional elements, which can be achieved by controlling the mean value, deviation value and perceptual rhythm of cultural visual perception in order to achieve a balance, so that the historic and cultural elements of the neighborhood are more easily viewed, recognized
and remembered by tourists.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28660 Hold
Place a hold on this item
Copies
Barcode Call number Media type Location Section Status 32002000607686 SIU THE: SOLA-PhD-APC-2023-47 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607640 SIU THE: SOLA-PhD-APC-2023-47 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Guangzhou Historic District Renewal Strategy from The Perspective of Regional Cultural Inheritance / Weiqi Weng / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Guangzhou Historic District Renewal Strategy from The Perspective of Regional Cultural Inheritance Material Type: printed text Authors: Weiqi Weng, Author ; Sakon Phu-ngamdee, Associated Name ; Palphol Rodloytuk, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: x, 199 p. Layout: Tables, ill Size: 30 cm. General note: SIU THE: SOLA-PhD-APC-2023-49
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Cultural awareness
[LCSH]Cultural inheritance
[LCSH]Historic districts -- China -- GuangzhouKeywords: Historical district,
Renewal,
Regional cultural,
Cultural InheritanceAbstract: Today, with more and more attention to cultural development, historic districts have attracted special attention. Historic districts can not only directly reflect the overall regional style, but also inherit urban culture through architecture, landscape and cultural relics. However, under the dual pressure of the strong impact of western culture and large-scale urban modernization, historic districts are facing problems such as the disappearance of cultural carriers and the reduction of awareness, resulting in the gradual loss of people's sense of regional identity and belonging. Under this situation, seeking the organic renewal mode of regional cultural inheritance and paying attention to development quality has become the focus of the transformation of historic districts. This study attempts to describe the current situation of the renewal of historic districts in Guangzhou and answer how to better renew historic districts. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28661 SIU Thesis. Guangzhou Historic District Renewal Strategy from The Perspective of Regional Cultural Inheritance [printed text] / Weiqi Weng, Author ; Sakon Phu-ngamdee, Associated Name ; Palphol Rodloytuk, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - x, 199 p. : Tables, ill ; 30 cm.
SIU THE: SOLA-PhD-APC-2023-49
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Cultural awareness
[LCSH]Cultural inheritance
[LCSH]Historic districts -- China -- GuangzhouKeywords: Historical district,
Renewal,
Regional cultural,
Cultural InheritanceAbstract: Today, with more and more attention to cultural development, historic districts have attracted special attention. Historic districts can not only directly reflect the overall regional style, but also inherit urban culture through architecture, landscape and cultural relics. However, under the dual pressure of the strong impact of western culture and large-scale urban modernization, historic districts are facing problems such as the disappearance of cultural carriers and the reduction of awareness, resulting in the gradual loss of people's sense of regional identity and belonging. Under this situation, seeking the organic renewal mode of regional cultural inheritance and paying attention to development quality has become the focus of the transformation of historic districts. This study attempts to describe the current situation of the renewal of historic districts in Guangzhou and answer how to better renew historic districts. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28661 Hold
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Barcode Call number Media type Location Section Status 32002000607688 SIU THE: SOLA-PhD-APC-2023-49 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607636 SIU THE: SOLA-PhD-APC-2023-49 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Conveying Caring Emotion in Character Derivative Product: A Case Study of Healing Toys / Jiang Jieling / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Conveying Caring Emotion in Character Derivative Product: A Case Study of Healing Toys Material Type: printed text Authors: Jiang Jieling, Author ; Sakon Phu-ngamdee, Associated Name ; Suvida Neramit-Aram, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: viii, 202 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-48
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Caring
[LCSH]Emotions
[LCSH]Stress, Psychological -- Therapy
[LCSH]Toys
[LCSH]Toys -- ResearchKeywords: Emotions Caring,
Stress theory,
Healing toys,
Salaried workers,Abstract: This study aims to explore the role and impact of character-derived products conveying caring emotions in alleviating stress. The study primarily employs the KJ method to classify numerous healing toys on the market and then utilizes the Delphi method expert survey to understand the characteristics and relevant discussions of healing toys. Furthermore, it adopts a questionnaire survey to ascertain salaried workers' views on the healing effect of these toys, seeking more stress-relief channels and possibilities for them.The research results reveal that healing toys have a significant effect on alleviating the psychological stress of salaried workers. At the design level, there are differences in the preferences and feelings of salaried workers of different genders, ages, and education levels toward healing toys. Based on the research findings, this paper proposes targeted toy design and marketing suggestions. In terms of design direction, it is recommended that companies develop differentiated designs for salaried workers of different genders, ages, and education levels, taking into account consumers' personalized needs. Simultaneously, governments and social organizations can encourage enterprises to develop innovative healing toys by providing training and support, fulfilling the salaried workers' needs for caring emotions and stress relief. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28662 SIU Thesis. Conveying Caring Emotion in Character Derivative Product: A Case Study of Healing Toys [printed text] / Jiang Jieling, Author ; Sakon Phu-ngamdee, Associated Name ; Suvida Neramit-Aram, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - viii, 202 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-48
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Caring
[LCSH]Emotions
[LCSH]Stress, Psychological -- Therapy
[LCSH]Toys
[LCSH]Toys -- ResearchKeywords: Emotions Caring,
Stress theory,
Healing toys,
Salaried workers,Abstract: This study aims to explore the role and impact of character-derived products conveying caring emotions in alleviating stress. The study primarily employs the KJ method to classify numerous healing toys on the market and then utilizes the Delphi method expert survey to understand the characteristics and relevant discussions of healing toys. Furthermore, it adopts a questionnaire survey to ascertain salaried workers' views on the healing effect of these toys, seeking more stress-relief channels and possibilities for them.The research results reveal that healing toys have a significant effect on alleviating the psychological stress of salaried workers. At the design level, there are differences in the preferences and feelings of salaried workers of different genders, ages, and education levels toward healing toys. Based on the research findings, this paper proposes targeted toy design and marketing suggestions. In terms of design direction, it is recommended that companies develop differentiated designs for salaried workers of different genders, ages, and education levels, taking into account consumers' personalized needs. Simultaneously, governments and social organizations can encourage enterprises to develop innovative healing toys by providing training and support, fulfilling the salaried workers' needs for caring emotions and stress relief. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28662 Hold
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Barcode Call number Media type Location Section Status 32002000607694 SIU THE: SOLA-PhD-APC-2023-48 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607687 SIU THE: SOLA-PhD-APC-2023-48 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Protection and Reuse of Traditional Dwellings in Chaoshan Overseas Chinese Villages from The Perspective of Cultural Tourism / Han Chen / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Protection and Reuse of Traditional Dwellings in Chaoshan Overseas Chinese Villages from The Perspective of Cultural Tourism Material Type: printed text Authors: Han Chen, Author ; Sakon Phu-ngamdee, Associated Name ; Palphol Rodloytuk, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: x, 222 p. Layout: Tables, ill. Size: 30 cm. Price: 1,000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-50
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Cultural awareness
[LCSH]Cultural Heritage -- China -- Chaoshan
[LCSH]Tourism -- China -- Guangdong -- ChaoshanKeywords: Cultural and tourism integration,
Chaoshan overseas Chinese residential buildings,
Chaoshan culture,
Cultural heritage protection,
Conservation and reuseAbstract: In the contemporary era of advocating cultural tourism, the protection and inheritance of historical cultural heritage has attracted much attention. Cultural tourism is conducive to the protection of cultural heritage, and through cultural inheritance and innovation to improve the cultural quality of the people. In recent years, traditional villages have achieved rapid development in the cultural tourism industry by virtue of their unique advantages in cultural resources. However, the development of traditional villages shows the homogeneity phenomenon of "one thousand villages", lacking cultural characteristics, cultural creativity and regional characteristics, and the cultural identification in cultural tourism is not dominant.
This paper focuses on the construction of overseas Chinese villages in Chaoshan area of eastern Guangdong Province. Chaoshan region, as one of the three hometowns of overseas Chinese in Guangdong, has its own unique construction techniques of ancient dwellings. Many Chaoshan intangible cultures have been included in the list of national intangible cultural Heritage. This study is based on the ontological study of the residential buildings in Chaoshan Township, analyzes the geographical, humanistic and economic characteristics of Chaoshan area, discusses the causes of the formation of architectural forms, tries to analyze the Chaoshan culture, the ethnic character of Chaoshan people "embracing all rivers" and the historical humanistic and aesthetic value of the residential buildings in Chaoshan Township from the aesthetic and cultural characteristics of the residential buildings, and then from the perspective of cultural and tourism development, Interviews and questionnaires were used to collect the original data, and three issues were discussed, namely material and intangible cultural elements in the development of cultural tourism in Chaoshan overseas Chinese townships, the realization path of the development mode of cultural tourism in residential buildings in Chaoshan overseas Chinese townships, and the balance between the protection and development of residential buildings in Chaoshan overseas Chinese townships. Finally, according to the research results, This paper puts forward the path to realize the sustainable development and development of the cultural and tourism integration of the residential buildings in Chaoshan and overseas Chinese townships. The research conclusion provides the basis for the cultural and tourism development of the residential buildings in Chaoshan and overseas Chinese townships.
This study is expected to provide reference for displaying contemporary Chaoshan overseas Chinese tourism style and enriching the connotation of cultural tourism. The topic selection is conducive to strengthening the regional identity, cultural cohesion and cultural confidence of Chaoshan people, and is more conducive to continuing the historical context of Chaoshan and spreading and carrying forward the Chaoshan culture. It is hoped that this study can provide an effective reference for the development of tourism in Chaoshan overseas Chinese townships, so as to transform the advantages of residential architecture tourism resources into economic advantages and further promote the development and improvement of the regional economy.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28663 SIU Thesis. Protection and Reuse of Traditional Dwellings in Chaoshan Overseas Chinese Villages from The Perspective of Cultural Tourism [printed text] / Han Chen, Author ; Sakon Phu-ngamdee, Associated Name ; Palphol Rodloytuk, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - x, 222 p. : Tables, ill. ; 30 cm.
1,000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-50
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Cultural awareness
[LCSH]Cultural Heritage -- China -- Chaoshan
[LCSH]Tourism -- China -- Guangdong -- ChaoshanKeywords: Cultural and tourism integration,
Chaoshan overseas Chinese residential buildings,
Chaoshan culture,
Cultural heritage protection,
Conservation and reuseAbstract: In the contemporary era of advocating cultural tourism, the protection and inheritance of historical cultural heritage has attracted much attention. Cultural tourism is conducive to the protection of cultural heritage, and through cultural inheritance and innovation to improve the cultural quality of the people. In recent years, traditional villages have achieved rapid development in the cultural tourism industry by virtue of their unique advantages in cultural resources. However, the development of traditional villages shows the homogeneity phenomenon of "one thousand villages", lacking cultural characteristics, cultural creativity and regional characteristics, and the cultural identification in cultural tourism is not dominant.
This paper focuses on the construction of overseas Chinese villages in Chaoshan area of eastern Guangdong Province. Chaoshan region, as one of the three hometowns of overseas Chinese in Guangdong, has its own unique construction techniques of ancient dwellings. Many Chaoshan intangible cultures have been included in the list of national intangible cultural Heritage. This study is based on the ontological study of the residential buildings in Chaoshan Township, analyzes the geographical, humanistic and economic characteristics of Chaoshan area, discusses the causes of the formation of architectural forms, tries to analyze the Chaoshan culture, the ethnic character of Chaoshan people "embracing all rivers" and the historical humanistic and aesthetic value of the residential buildings in Chaoshan Township from the aesthetic and cultural characteristics of the residential buildings, and then from the perspective of cultural and tourism development, Interviews and questionnaires were used to collect the original data, and three issues were discussed, namely material and intangible cultural elements in the development of cultural tourism in Chaoshan overseas Chinese townships, the realization path of the development mode of cultural tourism in residential buildings in Chaoshan overseas Chinese townships, and the balance between the protection and development of residential buildings in Chaoshan overseas Chinese townships. Finally, according to the research results, This paper puts forward the path to realize the sustainable development and development of the cultural and tourism integration of the residential buildings in Chaoshan and overseas Chinese townships. The research conclusion provides the basis for the cultural and tourism development of the residential buildings in Chaoshan and overseas Chinese townships.
This study is expected to provide reference for displaying contemporary Chaoshan overseas Chinese tourism style and enriching the connotation of cultural tourism. The topic selection is conducive to strengthening the regional identity, cultural cohesion and cultural confidence of Chaoshan people, and is more conducive to continuing the historical context of Chaoshan and spreading and carrying forward the Chaoshan culture. It is hoped that this study can provide an effective reference for the development of tourism in Chaoshan overseas Chinese townships, so as to transform the advantages of residential architecture tourism resources into economic advantages and further promote the development and improvement of the regional economy.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28663 Hold
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Barcode Call number Media type Location Section Status 32002000607698 SIU THE: SOLA-PhD-APC-2023-50 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607632 SIU THE: SOLA-PhD-APC-2023-50 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. The Effect of Short Video Art on People’s Subjective Well-Being / Siyao Ying / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : The Effect of Short Video Art on People’s Subjective Well-Being Material Type: printed text Authors: Siyao Ying, Author ; Sakon Phu-ngamdee, Associated Name ; Thanaphan Boonyarutkalin, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: vii, 188 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-55
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Art
[LCSH]Short Video
[LCSH]Well-beingKeywords: Short video,
Subjective well-being,
Short video usersAbstract: In recent years, short video has developed rapidly and gradually become a daily companion in the mobile era. Short video has become the main market and attract lots of users in China. Would short video influence Chinese people’s subjective well-being and how it affect people’s happiness is worth to be examined.
This research is conducted following 3 objectives: (1) To study the use status of short video among users, including their preference content, use frequency and so on. (2) To analyze the relationship between short video and users’ subjective well- being. (3) To study the differences of the effects of short video usage on subjective well-being of users of different ages. This research uses both quantitative research method and qualitative research method, including questionnaire, in-depth interview and literature Research Method.
The findings are as followed: (1) The users spend long time on watching short video, and most of them prefer short videos with 1-3 minutes. (2) In terms of preference content, young people prefer entertainment and leisure, and middle-aged and elderly people prefer videos that focus on skills in life and self-improvement. (3) Users watch short video almost every day, but they do not rely on short videos very much. (4) Comparison psychology of short video users is not very strong, but when comparing, users tend to compare their personal abilities with those who are better than themselves, or with those who are more successful than themselves. (5) The social relationship between users is shallow and loose, not close. (6) In general, the short video users experience more positive affect and less negative affect. When the users evaluate their current life, they are slightly satisfied with their life. (7) Short video would influence their subjective well-being. The influence factors include personality trait, use requirements and demands meeting, comparative psychology, intelligent push function, the time spending on short video, the length of short video, the content of short video, page desire, frequency of use and users’ professions. (8) There are some differences on the effect effects of short video usage on subjective well-being of users of different ages.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28664 SIU Thesis. The Effect of Short Video Art on People’s Subjective Well-Being [printed text] / Siyao Ying, Author ; Sakon Phu-ngamdee, Associated Name ; Thanaphan Boonyarutkalin, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - vii, 188 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-55
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Art
[LCSH]Short Video
[LCSH]Well-beingKeywords: Short video,
Subjective well-being,
Short video usersAbstract: In recent years, short video has developed rapidly and gradually become a daily companion in the mobile era. Short video has become the main market and attract lots of users in China. Would short video influence Chinese people’s subjective well-being and how it affect people’s happiness is worth to be examined.
This research is conducted following 3 objectives: (1) To study the use status of short video among users, including their preference content, use frequency and so on. (2) To analyze the relationship between short video and users’ subjective well- being. (3) To study the differences of the effects of short video usage on subjective well-being of users of different ages. This research uses both quantitative research method and qualitative research method, including questionnaire, in-depth interview and literature Research Method.
The findings are as followed: (1) The users spend long time on watching short video, and most of them prefer short videos with 1-3 minutes. (2) In terms of preference content, young people prefer entertainment and leisure, and middle-aged and elderly people prefer videos that focus on skills in life and self-improvement. (3) Users watch short video almost every day, but they do not rely on short videos very much. (4) Comparison psychology of short video users is not very strong, but when comparing, users tend to compare their personal abilities with those who are better than themselves, or with those who are more successful than themselves. (5) The social relationship between users is shallow and loose, not close. (6) In general, the short video users experience more positive affect and less negative affect. When the users evaluate their current life, they are slightly satisfied with their life. (7) Short video would influence their subjective well-being. The influence factors include personality trait, use requirements and demands meeting, comparative psychology, intelligent push function, the time spending on short video, the length of short video, the content of short video, page desire, frequency of use and users’ professions. (8) There are some differences on the effect effects of short video usage on subjective well-being of users of different ages.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28664 Hold
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Barcode Call number Media type Location Section Status 32002000607696 SIU THE: SOLA-PhD-APC-2023-55 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607666 SIU THE: SOLA-PhD-APC-2023-55 c.1 SIU Thesis and Dissertation Main Library Thesis Corner Available SIU Thesis. To Explore the Composition and Influence Mechanism of Elderly Members' Experience in Chorus / Pengcheng Su / Pathumthani : Shinawatra University - 2023
Collection Title: SIU Thesis Title : To Explore the Composition and Influence Mechanism of Elderly Members' Experience in Chorus Material Type: printed text Authors: Pengcheng Su, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name Publisher: Pathumthani : Shinawatra University Publication Date: 2023 Pagination: x, 193 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-71
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Elderly
[LCSH]ExperienceKeywords: Choir, Experience, Perceived value, Red memory, Elderly Abstract: As one of the most important social activities, chorus has a diverse participant population. Among these individuals, a social choir dominated by the elderly has developed. Prior research has focused on the subjective experiences of chorus members, such as their physiology, psychology, and social well-being, among others. However, few empirical studies have examined the development of individual experience and mental state. Based on experiential learning theory and the SOR model, this study developed a model of the interaction of psychological factors in the choral experience of older adults, including the antecedents and outcomes of various experiential phases. The objective is to investigate the evolutionary process of the psychological states of senior adults in relation to their experiences and to provide a theoretical framework for choral singing research.
A questionnaire was used to capture data for this quantitative analysis-based study. Participants were senior choir members from Harbin, Heilongjiang Province. In addition, a sample of 571 questionnaires was statistically analyzed using structural equation modeling (SEM) to assess the validity of the hypotheses and models in the study. The nonparametric percentile Bootstrap method was used to investigate the indirect and mediating effects based on this. Finding shows, the indirect effects of environmental stimuli, cognitive resonance, affective resonance, and satisfaction on "Red memory" were substantial. In addition, we discovered a chain-mediating impact between red memory and cognitive resonance, affective resonance, satisfaction as well as behavioral intention (Effect value = 0.001), which totally verified the hypothesis constructed of the study. The research employed a method of cross-disciplinary analysis that was both innovative and conducive to the study of choral activities, aging groups, and experiential learning theory. Moreover, the study developed the application of experiential theory in the field of choral research by empirical investigation (i.e., choral experience theory), bridging the theoretical gap in music research. The findings will assist senior choir managers in developing and implementing choral experience- oriented service strategies to improve the quality of the choral experience, increase the contentment of choir members, and generate positive red memories.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28665 SIU Thesis. To Explore the Composition and Influence Mechanism of Elderly Members' Experience in Chorus [printed text] / Pengcheng Su, Author ; Kovit Kantasiri, Associated Name ; Suvida Neramit-Aram, Associated Name . - Pathumthani : Shinawatra University, 2023 . - x, 193 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-71
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Elderly
[LCSH]ExperienceKeywords: Choir, Experience, Perceived value, Red memory, Elderly Abstract: As one of the most important social activities, chorus has a diverse participant population. Among these individuals, a social choir dominated by the elderly has developed. Prior research has focused on the subjective experiences of chorus members, such as their physiology, psychology, and social well-being, among others. However, few empirical studies have examined the development of individual experience and mental state. Based on experiential learning theory and the SOR model, this study developed a model of the interaction of psychological factors in the choral experience of older adults, including the antecedents and outcomes of various experiential phases. The objective is to investigate the evolutionary process of the psychological states of senior adults in relation to their experiences and to provide a theoretical framework for choral singing research.
A questionnaire was used to capture data for this quantitative analysis-based study. Participants were senior choir members from Harbin, Heilongjiang Province. In addition, a sample of 571 questionnaires was statistically analyzed using structural equation modeling (SEM) to assess the validity of the hypotheses and models in the study. The nonparametric percentile Bootstrap method was used to investigate the indirect and mediating effects based on this. Finding shows, the indirect effects of environmental stimuli, cognitive resonance, affective resonance, and satisfaction on "Red memory" were substantial. In addition, we discovered a chain-mediating impact between red memory and cognitive resonance, affective resonance, satisfaction as well as behavioral intention (Effect value = 0.001), which totally verified the hypothesis constructed of the study. The research employed a method of cross-disciplinary analysis that was both innovative and conducive to the study of choral activities, aging groups, and experiential learning theory. Moreover, the study developed the application of experiential theory in the field of choral research by empirical investigation (i.e., choral experience theory), bridging the theoretical gap in music research. The findings will assist senior choir managers in developing and implementing choral experience- oriented service strategies to improve the quality of the choral experience, increase the contentment of choir members, and generate positive red memories.Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28665 Hold
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Barcode Call number Media type Location Section Status 32002000607658 SIU THE: SOLA-PhD-APC-2023-71 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607535 SIU THE: SOLA-PhD-APC-2023-71 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. A Novel Study Towards the Significance and Value of Ancient Poetry on the Grand Canal of China and the Dissemination Means / Xini Zhou / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : A Novel Study Towards the Significance and Value of Ancient Poetry on the Grand Canal of China and the Dissemination Means Material Type: printed text Authors: Xini Zhou, Author ; Kovit Kantasiri, Associated Name ; Sakon Phu-ngamdee, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: vi, 190 p. Layout: Tables, ill. Size: 30 cm. Price: 1000.00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-57
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Novel
[LCSH]Poetry -- FictionKeywords: Ancient poetry on the Grand Canal of China, Mode of dissemination, SWOT analysis Abstract: This study focuses on several major forms of dissemination of ancient poetry and lyrics on the Great Canal of China. It conducts a SWOT analysis of four forms of dissemination of ancient poetry, including ancient poetry courses, ancient poetry songs, ancient poetry variety shows, and ancient poetry we-media. It analyzes the strengths, weaknesses, opportunities, and threats of these forms of dissemination of ancient poetry, and summarizes and analyzes the SO, WO, ST, and WT strategies in the current social context to achieve the best effect of dissemination, in order to further promote the dissemination of traditional culture in the areas along the Grand Canal of China, and ultimately promote the dynamic development of economic and cultural activities along the Grand Canal of China. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28670 SIU Thesis. A Novel Study Towards the Significance and Value of Ancient Poetry on the Grand Canal of China and the Dissemination Means [printed text] / Xini Zhou, Author ; Kovit Kantasiri, Associated Name ; Sakon Phu-ngamdee, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - vi, 190 p. : Tables, ill. ; 30 cm.
1000.00 Baht.
SIU THE: SOLA-PhD-APC-2023-57
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Novel
[LCSH]Poetry -- FictionKeywords: Ancient poetry on the Grand Canal of China, Mode of dissemination, SWOT analysis Abstract: This study focuses on several major forms of dissemination of ancient poetry and lyrics on the Great Canal of China. It conducts a SWOT analysis of four forms of dissemination of ancient poetry, including ancient poetry courses, ancient poetry songs, ancient poetry variety shows, and ancient poetry we-media. It analyzes the strengths, weaknesses, opportunities, and threats of these forms of dissemination of ancient poetry, and summarizes and analyzes the SO, WO, ST, and WT strategies in the current social context to achieve the best effect of dissemination, in order to further promote the dissemination of traditional culture in the areas along the Grand Canal of China, and ultimately promote the dynamic development of economic and cultural activities along the Grand Canal of China. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28670 Hold
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Barcode Call number Media type Location Section Status 32002000607644 SIU THE: SOLA-PhD-APC-2023-57 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607660 SIU THE: SOLA-PhD-APC-2023-57 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available SIU Thesis. Current Situation and Reasons Behind Contemporary Improvisational Music in China / Jieni He / Pathumthani: Shinawatra University - 2023
Collection Title: SIU Thesis Title : Current Situation and Reasons Behind Contemporary Improvisational Music in China Material Type: printed text Authors: Jieni He, Author ; Kovit Kantasiri, Associated Name ; Sakon Phu-ngamdee, Associated Name Publisher: Pathumthani: Shinawatra University Publication Date: 2023 Pagination: iv,158 p. Layout: - Size: 30 cm. Price: 1000,00 Baht. General note: SIU THE: SOLA-PhD-APC-2023-56
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023Languages : English (eng) Descriptors: [LCSH]Creativity (Linguistics)
[LCSH]Music -- China
[LCSH]Music -- HistoryKeywords: Improvisation, Contemporary music, Creativity Abstract: This research paper investigates the current situation and reasons behind contemporary improvisational music in China. Through examining the developmental history of improvisational music and clarifying its formation mechanism and characteristics, this paper sheds light on the thought process involved in improvisation and proposes ways to better develop contemporary improvisational music. Three modes of contemporary improvisation performance in China are also explored. The findings of this study contribute to a deeper understanding of the nature of improvisational music and provide insights into its development and future prospects. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28671 SIU Thesis. Current Situation and Reasons Behind Contemporary Improvisational Music in China [printed text] / Jieni He, Author ; Kovit Kantasiri, Associated Name ; Sakon Phu-ngamdee, Associated Name . - [S.l.] : Pathumthani: Shinawatra University, 2023 . - iv,158 p. : - ; 30 cm.
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SIU THE: SOLA-PhD-APC-2023-56
Thesis. [PhD.[Philosophy in Arts Performance Communication]]. -- Shinawatra University, 2023
Languages : English (eng)
Descriptors: [LCSH]Creativity (Linguistics)
[LCSH]Music -- China
[LCSH]Music -- HistoryKeywords: Improvisation, Contemporary music, Creativity Abstract: This research paper investigates the current situation and reasons behind contemporary improvisational music in China. Through examining the developmental history of improvisational music and clarifying its formation mechanism and characteristics, this paper sheds light on the thought process involved in improvisation and proposes ways to better develop contemporary improvisational music. Three modes of contemporary improvisation performance in China are also explored. The findings of this study contribute to a deeper understanding of the nature of improvisational music and provide insights into its development and future prospects. Curricular : BALA/GE/MTEIL Record link: http://libsearch.siu.ac.th/siu/opac_css/index.php?lvl=notice_display&id=28671 Hold
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Barcode Call number Media type Location Section Status 32002000607648 SIU THE: SOLA-PhD-APC-2023-56 c.1 SIU Thesis and Dissertation Graduate Library Thesis Corner Available 32002000607654 SIU THE: SOLA-PhD-APC-2023-56 c.2 SIU Thesis and Dissertation Graduate Library Thesis Corner Available